I am a neurodivergent writer and movement-based practitioner exploring reality as embodied, imaginal, and continually in the making. My work is grounded in autosurrealism, an approach that understands bodyminds not as fixed identities, but as active, generative processes — capable of composing worlds through movement, sensation, attention, and imagination.

Across writing, movement, and participatory practice, I explore neuroqueering as a verb: the intentional disruption of neuronormative and heteronormative habits, the cultivation of divergence, and the rehearsal of new possibilities for perception, embodiment, and relationality. My work treats neurodivergence not as limitation, but as a creative, expansive capacity — a space to play, experiment, and generate worlds otherwise.

Surrealist principles, especially automatism, inform my practice. I embrace automatic movement, stimming, improvisation, and non-ordinary states of consciousness as methods for opening attention, loosening normative structures, and engaging in authentic self-authorship. By practicing the automatic alongside the intentional, the body moves as co-creator, the mind as participant, and the self as actively composed.

I approach creativity as a form of world-making. Beauty, meaning, and insight emerge not from mastery or coherence, but from intensity, rupture, and relational responsiveness. My work is plural, open-ended, and relational: a rehearsal of possibility, a convulsive aesthetics of becoming, and an invitation to explore neuroqueer, neuroexpansive, and pluriversal modes of knowing and being. Everything I create is an invitation to inhabit reality otherwise, to expand the imagination, and to participate in worlds that are alive, plural, and shared.